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Navlipi 1: A New, Universal, Script ("Alphabet") Accommodating The Phonemic Idiosyncrasies of All World's Languages. Volume 1, Another Loo
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This book presents a new, universal script, denoted NAVLIPI, capable of expressing all the world’s languages, from English and Arabic, to tonal languages such as Mandarin, to click languages such as !Xo Bushman. Based on the Roman script, NAVLIPI uses just five new or transformed letters (glyphs) in addition to the 26 letters of the Roman script; it uses no diacritics, rather making heavy use of “post-ops”, post-positional operators. Its expression is very facile and intuitive and highly amenable to cursive writing as well as keyboarding and voice transcription. More scientifically and systematically organized than even Hangul, NAVLIPI incorporates essential features of a universal script, thus far present in no world script to date, such as universality, completeness, distinctiveness, and practical phonemic application. It addresses the serious deficiencies of the alphabet of the International Phonetic Association. Most importantly, NAVLIPI addresses phonemic idiosyncrasy, for the first time ever in any world script; among other things, phonemic idiosyncrasy makes transcription, in the same script, of, e.g. Mandarin and English, or Hindi/Urdu and Tamil, extremely difficult. It is felt that NAVLIPI is introduced at an appropriate time for a globalized world, which needs a single script in which it is easy and intuitive to transcribe all of the world’s languages; it may also assist in the preservation of endangered languages. Apart from presenting the new script, the book also presents a thorough review of nearly all prior art through five millennia to the present, a basic discussion of phonetic and phonemic classification, “exercises” in coming up with new scripts, a glossary of terms, and more than 620 detailed references in linguistics and related fields. Nicholas Ostler makes the following observation: “NAVLIPI is a systematic extension of Roman script with a number of aims in view: To be a practical (legible and writable) script for all the world’s languages, but at the same time to represent the languages’ sounds exactly and consistently, making no compromises on the phonemic principle. In this ambitious goal, it goes beyond existing scripts: Beyond ordinary Roman scripts, because it requires that its symbols are interpreted the same way everywhere; beyond phonetic scripts such as the International Phonetic Alphabet, by representing phonemes singly, rather than as a set of phones; and beyond all the other scripts, by attempting to replace every single one of them without loss of significant phonetic detail. This is a stupendous aim for a single system created by a single scholar. “The main obstacle to Chandrasekhar’s achievement is the phenomenon of “phonemic idiosyncrasy”, whereby the actual speech sounds are organized into different, and cross-cutting, significant sets in various languages: For example, p, whether aspirated or un-aspirated, is the same phoneme in English, but the two versions belong to contrasting phonemes in Hindi, where (however) f is heard as the same sound as aspirated-p. By juxtaposing letters, Chandrasekhar conjures up new symbols that represent directly the complex phonemic reality. The attempt to have all the possible virtues of a phonetic writing system at once - on the basis of a single man’s ideal - is what makes this a heroic endeavour.” Dr. Chandrasekhar was born in India and lives and works in America. He is a chemist and business owner active in the U.S. defense contracting industry, but his ethnic background places him in a multilingual, multiscriptal society. An idea like Navlipi was most likely to arise in India, where numerous scripts compete for the eye’s attention in everyday life, and an inquiring mind such as the author’s was moved to try to distil them into a single uniform writing system.
- Sales Rank: #6295884 in Books
- Published on: 2011-12-07
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.41" w x 7.00" l, 2.75 pounds
- Binding: Paperback
- 622 pages
About the Author
A scholar with a working knowledge of twenty-six languages, Nicholas Ostler has degrees from Oxford University in Greek, Latin, philosophy, and economics, and a Ph.D. in linguistics from MIT, where he studied under Noam Chomsky. He lives in Bath, England.
Most helpful customer reviews
4 of 4 people found the following review helpful.
impressive and intriguing, with some issues
By Mark Newbrook
As its title suggests, this book presents a proposal for a new cross-linguistic alphabetic writing system, which could, in principle, replace both a) the International Phonetic Association Alphabet (IPAA) as employed by linguists for the transcription and teaching of all languages and b) existing language-specific scripts as used for everyday purposes, including the current spelling of English and other languages. Chandrasekhar's system does not seek to reflect i) etymologies or other aspects of linguistic history (`diachronic') or ii) more abstract relationships between the forms of words and word-parts; it is strictly `synchronic', and it is grounded in the phonetics of words and in `shallow'/`surface' aspects of the phonology (as reflected in the usual phonemic representations). The core of the Navlipi system involves the 26 letters of the most familiar version of the Roman Alphabet (that used for English) together with five novel symbols. These 31 characters are subject to various modifications of form which systematically correspond with phonetic variations of the phone-types in question so as to represent the very many specific phones (sounds) found across the languages of the world. Chandrasekhar also includes further devices for showing phonemic tone - needed for transcribing `tonal' languages such as Chinese - and other such `supra-segmental' features.
Chandrasekhar's title itself appears overstated (he cannot have examined all of the world's 6,000+ languages, even through the work of others), and he is not himself a linguist (he is a chemist); but he has studied many languages and aspects of linguistics, and his actual discussion emerges as much more sophisticated about linguistic matters than that of most non-linguists who have proposed reforms. He is well-informed, his scope (while understandably displaying a particular focus upon India) is wide, and many of his individual points (general and specific) are themselves correct. Indeed, the book deals interestingly with methodological issues involving phonetics and script-design. Overall, it has to be taken seriously. And the Navlipi system itself does have important strengths; for instance, it is indeed (predictably) more systematic than IPAA (which has `evolved' over many decades in the hands of many linguists).
Chandrasekhar is especially concerned to address what he sees as an `urgent issue': the phenomenon which he (oddly) describes as the phonemic idiosyncrasies of different languages. This involves the fact that, even where some specific phones are shared between languages, said languages often group them differently into phonemes. However, Chandrasekhar appears confused as to the views of mainstream linguists regarding the general cross-linguistic patterning in respect of these matters, and attacks a `straw man'; and (unless his wording is very poorly chosen) his own position on this issue is clearly mistaken.
The most important general problem with Chandrasekhar's work involves the distinction between, on the one hand, a) phonetic transcription systems such as IPAA (normally language-neutral and intended for technical linguistic work or the teaching of foreign-language phonetics), and, on the other, b) language-specific phonemic transcription systems (such as those based on IPAA) intended both for technical work and (by spelling-reformers and by linguists inventing new scripts) for actual everyday use. Chandrasekhar appears to be attempting to cover both of these sets of requirements at once, with no reasonable grounds for expecting success proportional to the efforts involved. Systems which are suitable in one of these contexts may not be at all suitable in the other. There are also some other problems with Navlipi.
Nevertheless, as noted, this book is very much worthy of attention by all with a serious interest in writing systems. For a fuller version of this review, see The Skeptical Intelligencer (ASKE, UK), 15 (2012), pp. 11-14.
1 of 1 people found the following review helpful.
Navlipi Volume 1: A new world alphabet?
By Jennie D
An interesting presentation of a new world "script" (alphabet) claiming to tackle the problem of "phonemic idiosyncrasy" for the first time ever in any world alphabet. I would start with the Preface, which is a sort of summary of the whole book.
The presentation of the alphabet in PART 1 is somewhat long and tedious for the non-specialist. It would have been nice if the author had given a condensed and simplified version of this for the non-specialist before going into the great detail that he does in PART 1.
What I found most interesting was the presentation of "alternative, highly scientific but utterly useless" alphabets, particularly the one based on geometric shapes! Engrossing stuff.
It is also not clear if keyboarding software for Navlipi is now available, and if so, where one can procure it (hopefully free). I for one would really like to try it out.
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